Tracks List:
01 - Is It Too Late (4:30)
02 - Love Bandit (4:19)
03 - I Think of You (6:03)
04 - Do It Right (4:24)
05 - Love Fever (5:15)
06 - Take Me Away (3:54)
07 - I Wanna Make You Mine (4:54)
Pass is willforall
BENTLEYFUNK@HOTMAIL.COM
LEAVE YOUR MESSAGES HERE
LEAVE YOUR MESSAGES HERE
dimanche 26 octobre 2008
DELIGHT - 1983 - IS IT TOO LATE
EMOTIONS - 1977 - SUNSHINE
Tracklisting:
A1. The Emotions - Shouting Out Love
A2. The Emotions - Geewhiz (Look At His Eyes)
A3. The Emotions - I Really Miss You
A4. The Emotions - Ain't No Sunshine
A5. The Emotions - Runnin Back (And Forth)
B1. The Emotions - Anyway You Look At It
B2. The Emotions - Baby, I'm Through
B3. The Emotions - Innocent
B4. The Emotions - Put A Little Love Away
EMOTIONS - 1977 - SUNSHINE
Tracklisting:
A1. The Emotions - Shouting Out Love
A2. The Emotions - Geewhiz (Look At His Eyes)
A3. The Emotions - I Really Miss You
A4. The Emotions - Ain't No Sunshine
A5. The Emotions - Runnin Back (And Forth)
B1. The Emotions - Anyway You Look At It
B2. The Emotions - Baby, I'm Through
B3. The Emotions - Innocent
B4. The Emotions - Put A Little Love Away
5000 volts - 1976
5000 volts - 1976
Defunk t- Thermonuclear Sweat 1982
Tracklisting:
A1 | Illusion (5:33) | |
Guitar - Richard Martin (3) | ||
A2 | I Tried To Live Alone (5:08) | |
A3 | Cocktail Hour (Blue Bossa) (3:26) | |
A4 | Ooh Baby (6:05) | |
B1 | Avoid The Funk (4:26) | |
B2 | Big Bird (Au Private) (2:07) | |
B3 | For The Love Of Money (5:54) | |
B4 | Believing In Love (7:14) |
Defunk t- Thermonuclear Sweat 1982
Tracklisting:
A1 | Illusion (5:33) | |
Guitar - Richard Martin (3) | ||
A2 | I Tried To Live Alone (5:08) | |
A3 | Cocktail Hour (Blue Bossa) (3:26) | |
A4 | Ooh Baby (6:05) | |
B1 | Avoid The Funk (4:26) | |
B2 | Big Bird (Au Private) (2:07) | |
B3 | For The Love Of Money (5:54) | |
B4 | Believing In Love (7:14) |
Mothers finest - mother factor - 1978
Mothers finest - mother factor - 1978
lundi 20 octobre 2008
JAKI GRAHAM - 1985 - HEAVEN KNOWS
JAKI GRAHAM - 1985 - HEAVEN KNOWS
JAKI GRAHAM - 1986 - BREAKING AWAY
Tracklisting:
A1 | Set Me Free (3:37) | |
A2 | Breaking Away (3:33) | |
A3 | Still In Love (5:38) | |
A4 | Love Under Moonlight (5:01) | |
A5 | Let's Get Blue (4:31) | |
Vocals [Duet] - Derek Bramble | ||
B1 | Luv 2 Much (4:03) | |
B2 | The Love Of Your Life (4:00) | |
B3 | The Closest One (4:37) | |
Vocals [Duet] - Derek Bramble | ||
B4 | Step Right Up (3:57) | |
B5 | Mated (3:51) | |
Vocals [Duet] - David Grant |
JAKI GRAHAM - 1986 - BREAKING AWAY
Tracklisting:
A1 | Set Me Free (3:37) | |
A2 | Breaking Away (3:33) | |
A3 | Still In Love (5:38) | |
A4 | Love Under Moonlight (5:01) | |
A5 | Let's Get Blue (4:31) | |
Vocals [Duet] - Derek Bramble | ||
B1 | Luv 2 Much (4:03) | |
B2 | The Love Of Your Life (4:00) | |
B3 | The Closest One (4:37) | |
Vocals [Duet] - Derek Bramble | ||
B4 | Step Right Up (3:57) | |
B5 | Mated (3:51) | |
Vocals [Duet] - David Grant |
samedi 18 octobre 2008
KELLIE MARIE - 1979 - FEELS LIKE IM IN LOVE
KELLIE MARIE - 1979 - FEELS LIKE IM IN LOVE
dimanche 12 octobre 2008
AL WILSON DISCOGRAPHIE + BIO
BENTLEYFUNK NEWS
Décès d'Al Wilson (1939-2008)
La chanteur s'est éteint le 21 avril 2008 à l'âge de 68 ans des suites d'une opération.
Originaire du Mississipi, il part pour la Californie où il cumule les petits boulots tout en chantant dans des formations locales.
Sa rencontre en 1966 avec Johnny Waters, lui ouvre les portes de l'industrie musicale. Il signe après deux singles pour un album sur Soul City qui n'aura pas le succès escompté. Il lui faudra attendre l'année 1973 pour enfin atteindre les charts et le succès avec "Show and Tell" produit par Jerry Fuller et qui s'inscrit dans la ligné d'artistes tels que Johnny Bristol ou O.C. Smith. Une soul sensuelle aux arrangements précieux et un chant à mi chemin entre le crooner et le lover.
Il collabore d’ailleurs l’année d’après avec Johnny Bristol sur son album « La La La Peace songs » et continue sur sa lancée.
En 1976, il part sur le label Play Boy et garde la recette de ses précédents albums mais elle ne marche plus aussi bien qu’avant. Il s’essaye au disco en 1979 en intégrant une fois de plus un nouveau label, puis disparaît, comme tant d’autres en laissant derrière lui son héritage : des chansons indémodables.
Discographie AL WILSON
DOWNLOAD ALBUMS
1968 / Searching For The Dolphins / Soul City
1973 / Show and Tell / Rocky Road
1973 / Weighing In / Rocky Road
1974 / La La Peace Song / Rocky Road
1976 / I've Got A Feeling / Playboy
1979 / Count the Days / RCA
Biographie en anglais sur http://en.wikipedia.org/wiki/Al_Wilson_(singer)
Originaire du Mississipi, il part pour la Californie où il cumule les petits boulots tout en chantant dans des formations locales.
Sa rencontre en 1966 avec Johnny Waters, lui ouvre les portes de l'industrie musicale. Il signe après deux singles pour un album sur Soul City qui n'aura pas le succès escompté. Il lui faudra attendre l'année 1973 pour enfin atteindre les charts et le succès avec "Show and Tell" produit par Jerry Fuller et qui s'inscrit dans la ligné d'artistes tels que Johnny Bristol ou O.C. Smith. Une soul sensuelle aux arrangements précieux et un chant à mi chemin entre le crooner et le lover.
Il collabore d’ailleurs l’année d’après avec Johnny Bristol sur son album « La La La Peace songs » et continue sur sa lancée.
En 1976, il part sur le label Play Boy et garde la recette de ses précédents albums mais elle ne marche plus aussi bien qu’avant. Il s’essaye au disco en 1979 en intégrant une fois de plus un nouveau label, puis disparaît, comme tant d’autres en laissant derrière lui son héritage : des chansons indémodables.
Discographie AL WILSON
DOWNLOAD ALBUMS
1968 / Searching For The Dolphins / Soul City
1973 / Show and Tell / Rocky Road
1973 / Weighing In / Rocky Road
1974 / La La Peace Song / Rocky Road
1976 / I've Got A Feeling / Playboy
1979 / Count the Days / RCA
Biographie en anglais sur http://en.wikipedia.org/wiki/Al_Wilson_(singer)
AL WILSON DISCOGRAPHIE + BIO
BENTLEYFUNK NEWS
Décès d'Al Wilson (1939-2008)
La chanteur s'est éteint le 21 avril 2008 à l'âge de 68 ans des suites d'une opération.
Originaire du Mississipi, il part pour la Californie où il cumule les petits boulots tout en chantant dans des formations locales.
Sa rencontre en 1966 avec Johnny Waters, lui ouvre les portes de l'industrie musicale. Il signe après deux singles pour un album sur Soul City qui n'aura pas le succès escompté. Il lui faudra attendre l'année 1973 pour enfin atteindre les charts et le succès avec "Show and Tell" produit par Jerry Fuller et qui s'inscrit dans la ligné d'artistes tels que Johnny Bristol ou O.C. Smith. Une soul sensuelle aux arrangements précieux et un chant à mi chemin entre le crooner et le lover.
Il collabore d’ailleurs l’année d’après avec Johnny Bristol sur son album « La La La Peace songs » et continue sur sa lancée.
En 1976, il part sur le label Play Boy et garde la recette de ses précédents albums mais elle ne marche plus aussi bien qu’avant. Il s’essaye au disco en 1979 en intégrant une fois de plus un nouveau label, puis disparaît, comme tant d’autres en laissant derrière lui son héritage : des chansons indémodables.
Discographie AL WILSON
DOWNLOAD ALBUMS
1968 / Searching For The Dolphins / Soul City
1973 / Show and Tell / Rocky Road
1973 / Weighing In / Rocky Road
1974 / La La Peace Song / Rocky Road
1976 / I've Got A Feeling / Playboy
1979 / Count the Days / RCA
Biographie en anglais sur http://en.wikipedia.org/wiki/Al_Wilson_(singer)
Originaire du Mississipi, il part pour la Californie où il cumule les petits boulots tout en chantant dans des formations locales.
Sa rencontre en 1966 avec Johnny Waters, lui ouvre les portes de l'industrie musicale. Il signe après deux singles pour un album sur Soul City qui n'aura pas le succès escompté. Il lui faudra attendre l'année 1973 pour enfin atteindre les charts et le succès avec "Show and Tell" produit par Jerry Fuller et qui s'inscrit dans la ligné d'artistes tels que Johnny Bristol ou O.C. Smith. Une soul sensuelle aux arrangements précieux et un chant à mi chemin entre le crooner et le lover.
Il collabore d’ailleurs l’année d’après avec Johnny Bristol sur son album « La La La Peace songs » et continue sur sa lancée.
En 1976, il part sur le label Play Boy et garde la recette de ses précédents albums mais elle ne marche plus aussi bien qu’avant. Il s’essaye au disco en 1979 en intégrant une fois de plus un nouveau label, puis disparaît, comme tant d’autres en laissant derrière lui son héritage : des chansons indémodables.
Discographie AL WILSON
DOWNLOAD ALBUMS
1968 / Searching For The Dolphins / Soul City
1973 / Show and Tell / Rocky Road
1973 / Weighing In / Rocky Road
1974 / La La Peace Song / Rocky Road
1976 / I've Got A Feeling / Playboy
1979 / Count the Days / RCA
Biographie en anglais sur http://en.wikipedia.org/wiki/Al_Wilson_(singer)
AL WILSON - 1973 - SHOW AND TELL
AL WILSON - 1973 - SHOW AND TELL
Willie Hutch - Havin' A House Party 1977
Willie Hutch - Havin' A House Party 1977
WILLIE HUTCH "color her sunshine" 1976
Solid superdope soul from Willie Hutch -- a self-produced, self-arranged, self-composed masterpiece that proves that he was one of the greatest things Motown had going in the mid 70s! The album's got a bit less of the wicked edges of Willie's blacksploitation work, but in its place is a really well-developed sense of mature soul -- stretching out through the vocals, guitar work, and overall orchestrations -- and pushing Willie into territory that was also being explored at the time by Marvin Gaye and Leon Ware. Great stuff all around, and the kind of a record that gets better each time we hear it! Titles include "Come On Girl Let's Get It On", "I Like Everything About You", "Shake It Shake It", "We Can Make It Baby", and "I'm Gonna Be Around".
Tracks :
1. Come on Girl Let's Get It On
2. I Feel Like We Can Make It
3. Color Her Sunshine
4. I Like Everything About You
5. Shake It, Shake It
6. Let Me Be the One
7. She's Just Doing Her Thing
8. We Can Make It Baby
9. I'm Gonna Be Around
Tracks :
1. Come on Girl Let's Get It On
2. I Feel Like We Can Make It
3. Color Her Sunshine
4. I Like Everything About You
5. Shake It, Shake It
6. Let Me Be the One
7. She's Just Doing Her Thing
8. We Can Make It Baby
9. I'm Gonna Be Around
WILLIE HUTCH "color her sunshine" 1976
Solid superdope soul from Willie Hutch -- a self-produced, self-arranged, self-composed masterpiece that proves that he was one of the greatest things Motown had going in the mid 70s! The album's got a bit less of the wicked edges of Willie's blacksploitation work, but in its place is a really well-developed sense of mature soul -- stretching out through the vocals, guitar work, and overall orchestrations -- and pushing Willie into territory that was also being explored at the time by Marvin Gaye and Leon Ware. Great stuff all around, and the kind of a record that gets better each time we hear it! Titles include "Come On Girl Let's Get It On", "I Like Everything About You", "Shake It Shake It", "We Can Make It Baby", and "I'm Gonna Be Around".
Tracks :
1. Come on Girl Let's Get It On
2. I Feel Like We Can Make It
3. Color Her Sunshine
4. I Like Everything About You
5. Shake It, Shake It
6. Let Me Be the One
7. She's Just Doing Her Thing
8. We Can Make It Baby
9. I'm Gonna Be Around
Tracks :
1. Come on Girl Let's Get It On
2. I Feel Like We Can Make It
3. Color Her Sunshine
4. I Like Everything About You
5. Shake It, Shake It
6. Let Me Be the One
7. She's Just Doing Her Thing
8. We Can Make It Baby
9. I'm Gonna Be Around
Meters, The - Trick Bag 1976
Tracklisting:
A1 | Disco Is The Thing Today (4:08) | |
A2 | Find Yourself (4:10) | |
A3 | All These Things (3:30) | |
A4 | I Want To Be Loved By You (5:22) | |
A5 | Suite For 20 G (4:30) | |
B1 | (Doodle Loop) The World Is A Little Bit Under The Weather (3:50) | |
B2 | Trick Bag (3:19) | |
B3 | Mister Moon (4:00) | |
B4 | Chug-A-Lug (3:20) | |
B5 | Hang 'Em High / Honky Tonk Woman (5:35) |
Meters, The - Trick Bag 1976
Tracklisting:
A1 | Disco Is The Thing Today (4:08) | |
A2 | Find Yourself (4:10) | |
A3 | All These Things (3:30) | |
A4 | I Want To Be Loved By You (5:22) | |
A5 | Suite For 20 G (4:30) | |
B1 | (Doodle Loop) The World Is A Little Bit Under The Weather (3:50) | |
B2 | Trick Bag (3:19) | |
B3 | Mister Moon (4:00) | |
B4 | Chug-A-Lug (3:20) | |
B5 | Hang 'Em High / Honky Tonk Woman (5:35) |
WHATNAUTS - 1972 - ON THE ROCKS
WHATNAUTS - 1972 - ON THE ROCKS
Whatnauts - 1971 Reaching_For_The_Stars
Whatnauts - 1971 Reaching_For_The_Stars
samedi 11 octobre 2008
George Benson - The Very Best Of George Benson
Download:
http://rapidshare.com/files/73252334/GB-TveryBOf03.part1.rar
http://rapidshare.com/files/73253127/GB-TveryBOf03.part2.rar
George Benson is simply one of the greatest guitarists in jazz history, but he is also an amazingly versatile musician, and that frustrates to no end critics who would paint him into a narrow bop box. He can play in just about any style -- from swing to bop to R&B to pop -- with supreme taste, a beautiful rounded tone, terrific speed, a marvelous sense of logic in building solos, and, always, an unquenchable urge to swing. His inspirations may have been Charlie Christian and Wes Montgomery -- and he can do dead-on impressions of both -- but his style is completely his own. Not only can he play lead brilliantly, he is also one of the best rhythm guitarists around, supportive to soloists and a dangerous swinger, particularly in a soul-jazz format. Yet Benson can also sing in a lush soulful tenor with mannerisms similar to those of Stevie Wonder and Donny Hathaway, and it is his voice that has proved to be more marketable to the public than his guitar. Benson is the guitar-playing equivalent of Nat King Cole -- a fantastic pianist whose smooth way with a pop vocal eventually eclipsed his instrumental prowess in the marketplace -- but unlike Cole, Benson has been granted enough time after his fling with the pop charts to reaffirm his jazz guitar credentials, which he still does at his concerts.
Benson actually started out professionally as a singer, performing in nightclubs at eight, recording four sides for RCA's X label in 1954, forming a rock band at 17 while using a guitar that his stepfather made for him. Exposure to records by Christian, Montgomery, and Charlie Parker got him interested in jazz, and by 1962, the teenaged Benson was playing in Brother Jack McDuff's band. After forming his own group in 1965, Benson became another of talent scout John Hammond's major discoveries, recording two highly regarded albums of soul-jazz and hard bop for Columbia and turning up on several records by others, including Miles Davis' Miles in the Sky. He switched to Verve in 1967, and, shortly after the death of Montgomery in June 1968, producer Creed Taylor began recording Benson with larger ensembles on A&M (1968-1969) and big groups and all-star combos on CTI (1971-1976).
While the A&M and CTI albums certainly earned their keep and made Benson a guitar star in the jazz world, the mass market didn't catch on until he began to emphasize vocals after signing with Warner Bros. in 1976. His first album for Warner Bros., Breezin', became a Top Ten hit on the strength of its sole vocal track, "This Masquerade," and this led to a string of hit albums in an R&B-flavored pop mode, culminating with the Quincy Jones-produced Give Me the Night. As the '80s wore on, though, Benson's albums became riddled with commercial formulas and inferior material, with his guitar almost entirely relegated to the background. Perhaps aware of the futility of chasing the charts (after all, "This Masquerade" was a lucky accident), Benson reversed his field late in the '80s to record a fine album of standards, Tenderly, and another with the Basie band, his guitar now featured more prominently. His pop-flavored work also improved noticeably in the '90s. Benson retains the ability to spring surprises on his fans and critics, like his dazzlingly idiomatic TV appearance and subsequent record date with Benny Goodman in 1975 in honor of John Hammond, and his awesome command of the moment at several Playboy Jazz Festivals in the 1980s. His latter-day recordings include the 1998 effort Standing Together, 2000's Absolute Benson, 2001's All Blues, and 2004's Irreplaceable. Three songs from 2006's Givin' It Up, recorded with Al Jarreau, were nominated for Grammy Awards in separate categories.
Track List
1. Give Me The Night
2. Turn Your Love Around
3. Never Give Up On A Good Thing
4. Love X Love
5. Nothing’s Gonna Change My Love For You
6. The Greatest Love Of All
7. Feel Like Making Love
8. Breezin’
9. This Masquerade
10. In Your Eyes
11. You Are The Love Of My Life
12. Lady Love Me (One More Time)
13. Kisses In The Moonlight
14. Love All The Hurt Away – With Aretha Franklin
15. Being With You
16. Moddy’s Mood
17. Nature Boy
18. Love Ballad
19. Shiver
20. On Broadway
George Benson - The Very Best Of George Benson
Download:
http://rapidshare.com/files/73252334/GB-TveryBOf03.part1.rar
http://rapidshare.com/files/73253127/GB-TveryBOf03.part2.rar
George Benson is simply one of the greatest guitarists in jazz history, but he is also an amazingly versatile musician, and that frustrates to no end critics who would paint him into a narrow bop box. He can play in just about any style -- from swing to bop to R&B to pop -- with supreme taste, a beautiful rounded tone, terrific speed, a marvelous sense of logic in building solos, and, always, an unquenchable urge to swing. His inspirations may have been Charlie Christian and Wes Montgomery -- and he can do dead-on impressions of both -- but his style is completely his own. Not only can he play lead brilliantly, he is also one of the best rhythm guitarists around, supportive to soloists and a dangerous swinger, particularly in a soul-jazz format. Yet Benson can also sing in a lush soulful tenor with mannerisms similar to those of Stevie Wonder and Donny Hathaway, and it is his voice that has proved to be more marketable to the public than his guitar. Benson is the guitar-playing equivalent of Nat King Cole -- a fantastic pianist whose smooth way with a pop vocal eventually eclipsed his instrumental prowess in the marketplace -- but unlike Cole, Benson has been granted enough time after his fling with the pop charts to reaffirm his jazz guitar credentials, which he still does at his concerts.
Benson actually started out professionally as a singer, performing in nightclubs at eight, recording four sides for RCA's X label in 1954, forming a rock band at 17 while using a guitar that his stepfather made for him. Exposure to records by Christian, Montgomery, and Charlie Parker got him interested in jazz, and by 1962, the teenaged Benson was playing in Brother Jack McDuff's band. After forming his own group in 1965, Benson became another of talent scout John Hammond's major discoveries, recording two highly regarded albums of soul-jazz and hard bop for Columbia and turning up on several records by others, including Miles Davis' Miles in the Sky. He switched to Verve in 1967, and, shortly after the death of Montgomery in June 1968, producer Creed Taylor began recording Benson with larger ensembles on A&M (1968-1969) and big groups and all-star combos on CTI (1971-1976).
While the A&M and CTI albums certainly earned their keep and made Benson a guitar star in the jazz world, the mass market didn't catch on until he began to emphasize vocals after signing with Warner Bros. in 1976. His first album for Warner Bros., Breezin', became a Top Ten hit on the strength of its sole vocal track, "This Masquerade," and this led to a string of hit albums in an R&B-flavored pop mode, culminating with the Quincy Jones-produced Give Me the Night. As the '80s wore on, though, Benson's albums became riddled with commercial formulas and inferior material, with his guitar almost entirely relegated to the background. Perhaps aware of the futility of chasing the charts (after all, "This Masquerade" was a lucky accident), Benson reversed his field late in the '80s to record a fine album of standards, Tenderly, and another with the Basie band, his guitar now featured more prominently. His pop-flavored work also improved noticeably in the '90s. Benson retains the ability to spring surprises on his fans and critics, like his dazzlingly idiomatic TV appearance and subsequent record date with Benny Goodman in 1975 in honor of John Hammond, and his awesome command of the moment at several Playboy Jazz Festivals in the 1980s. His latter-day recordings include the 1998 effort Standing Together, 2000's Absolute Benson, 2001's All Blues, and 2004's Irreplaceable. Three songs from 2006's Givin' It Up, recorded with Al Jarreau, were nominated for Grammy Awards in separate categories.
Track List
1. Give Me The Night
2. Turn Your Love Around
3. Never Give Up On A Good Thing
4. Love X Love
5. Nothing’s Gonna Change My Love For You
6. The Greatest Love Of All
7. Feel Like Making Love
8. Breezin’
9. This Masquerade
10. In Your Eyes
11. You Are The Love Of My Life
12. Lady Love Me (One More Time)
13. Kisses In The Moonlight
14. Love All The Hurt Away – With Aretha Franklin
15. Being With You
16. Moddy’s Mood
17. Nature Boy
18. Love Ballad
19. Shiver
20. On Broadway
SWEETNESS - 1983 - Last Night A D.J. Saved My Life
SWEETNESS - 1983 - Last Night A D.J. Saved My Life
Band AKA - 1983 - Men of the Music
Band AKA - 1983 - Men of the Music
LeROY HUTSON - 1978 - Closer To The Source
LeROY HUTSON - 1978 - Closer To The Source
L.T.D - Love , Togetherness & Devotion
Long-running funk outfit L.T.D. -- Love, Togetherness and Devotion -- was formed in Greensboro, NC in 1968 by keyboardist Jimmie "J.D." Davis and bassist Abraham "Onion" Miller, both former backing musicians for the great Sam and Dave. Upon relocating to New York City, the twosome recruited guitarist Johnny McGhee, horn player Carle Vickers, saxophonists Arthur "Lorenzo" Carnegie, Toby Wynn and Abraham Miller, and trombonist Jake Riley, Jr. Vocalist/drummer Jeffrey Osborne also signed on before the group settled in Los Angeles, where Osborne's brother, keyboardist Billy Osborne joined the lineup as well. L.T.D. signed with the A&M label to issue their 1974 debut Love, Togetherness and Devotion. On their third LP, 1976's Love to the World, the group scored their first Top 20 pop hit, "Love Ballad." The follow-up, 1977's Something to Love, included the Top Five smash "(Every Time I Turn Around) Back in Love Again," and four years later L.T.D. returned to the Top 40 once again with "Shine On." However, Osborne then exited to pursue a solo career, and despite the additions of vocalists Leslie Wilson and Andre Ray, the band's commercial fortunes dimmed. In the wake of 1981's Love Magic, L.T.D. disbanded, but during the early '90s McGhee reformed the group, with 1999's Marry You featuring vocalists Greg Henneghan, Nakeisha Turner and Ronnie Henson, bassist Terry Gamble, keyboardist Ryan Cooper, drummer Jay Nichols and percussionist Mamadi Nyasuma . pascal.gf.
L.T.D - Love , Togetherness & Devotion
Long-running funk outfit L.T.D. -- Love, Togetherness and Devotion -- was formed in Greensboro, NC in 1968 by keyboardist Jimmie "J.D." Davis and bassist Abraham "Onion" Miller, both former backing musicians for the great Sam and Dave. Upon relocating to New York City, the twosome recruited guitarist Johnny McGhee, horn player Carle Vickers, saxophonists Arthur "Lorenzo" Carnegie, Toby Wynn and Abraham Miller, and trombonist Jake Riley, Jr. Vocalist/drummer Jeffrey Osborne also signed on before the group settled in Los Angeles, where Osborne's brother, keyboardist Billy Osborne joined the lineup as well. L.T.D. signed with the A&M label to issue their 1974 debut Love, Togetherness and Devotion. On their third LP, 1976's Love to the World, the group scored their first Top 20 pop hit, "Love Ballad." The follow-up, 1977's Something to Love, included the Top Five smash "(Every Time I Turn Around) Back in Love Again," and four years later L.T.D. returned to the Top 40 once again with "Shine On." However, Osborne then exited to pursue a solo career, and despite the additions of vocalists Leslie Wilson and Andre Ray, the band's commercial fortunes dimmed. In the wake of 1981's Love Magic, L.T.D. disbanded, but during the early '90s McGhee reformed the group, with 1999's Marry You featuring vocalists Greg Henneghan, Nakeisha Turner and Ronnie Henson, bassist Terry Gamble, keyboardist Ryan Cooper, drummer Jay Nichols and percussionist Mamadi Nyasuma . pascal.gf.
L.T.D - 1978 - TOGETHERNESS
L.T.D - 1978 - TOGETHERNESS
L.T.D - 1979 - DEVOTION
One of LTD's biggest from the 70s -- a sweet mix of mellow soul and boogie, handled to perfection by the talents of Bobby Martin! Jeffrey Osborne's vocals are really running strong at this point -- well-suited to both funk and ballads, with none of the cliches that started creeping into his solo work in later years. Titles include "Stranger", "Share My Love", "Say That You'll Be Mine", "One On One", and "Dance N Sing N".
Tracklisting:
A1 | One On One (5:18) | |
A2 | Share My Love (4:20) | |
A3 | Stand Up L.T.D. (4:43) | |
A4 | Say That You'll Be Mine (5:04) | |
B1 | Dance 'N' Sing 'N' (5:32) | |
B2 | Sometimes (3:09) | |
B3 | Promise You'll Stay (3:20) | |
B4 | Stranger (4:29) | |
B5 | Feel It (3:44) |
L.T.D - 1979 - DEVOTION
One of LTD's biggest from the 70s -- a sweet mix of mellow soul and boogie, handled to perfection by the talents of Bobby Martin! Jeffrey Osborne's vocals are really running strong at this point -- well-suited to both funk and ballads, with none of the cliches that started creeping into his solo work in later years. Titles include "Stranger", "Share My Love", "Say That You'll Be Mine", "One On One", and "Dance N Sing N".
Tracklisting:
A1 | One On One (5:18) | |
A2 | Share My Love (4:20) | |
A3 | Stand Up L.T.D. (4:43) | |
A4 | Say That You'll Be Mine (5:04) | |
B1 | Dance 'N' Sing 'N' (5:32) | |
B2 | Sometimes (3:09) | |
B3 | Promise You'll Stay (3:20) | |
B4 | Stranger (4:29) | |
B5 | Feel It (3:44) |
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